August 09, 2017

Mend



(c) 8/09/2017 

I wish you knew how

to replace your own shirts’

lost buttons—

 

thread a needle-eye

like a poor camel heaven bound,

work the shank with twine,

tie up the four-hole, binding points

of entry and intrigue.

 

Your first button at four,

buttoned, unbuttoned,

a practice as everlasting as taxes.

 

First, place the button

onto your tongue

like a Eucharist wafer.

Imagine it is a body. 

 

I wish you knew

what it was like to go to church

before one could buy holy supplies

and chat with God online.

 

The tender button

has spiritual dimensions:

the underside smooth as porcelain,

the top curved, or convex,

nubby, or shaped like a flower.

 

Before buttons were molded of plastic

like everything else

they were made from Gaia’s elements—

wood, shell, antler, bone, ivory,

stone, pottery.

 

That growing in skill—

growing bored—

 

growing commercial,

we made buttons

of metal, glass,

papier-mache, and cloth.

Still, how uncommon

the common button.

It leaves everything done—or undone.

 

Next, press the needle

into your thumb whorl

until you can tell point and eye by touch.

 

The needle should pass through silk

without a mark.

Taste the thread ends

 for fray or stiffness.

 

Blind the eye with a finger—

a spot of flesh

and aim.

 

Thread. Double knot. 

 

I wish you knew how to measure twice,

cut once,

to fix before things go wrong—

how to mend to last.

The Small Pod

(c) August 9, 2017 Rev 2026


Vanilla notes in biscotti,

on my cologne-spritzed wrist,

lavender—

 

the bedroom, the kitchen

of memory—

where I beat eggs and butter

always tripling

the quarter teaspoon of amber.

 

Vanilla—lush

as every boy I longed to kiss,

every unrequited,

every forbidden love

punished—

 

Princess Xanat,

beheaded in the forest,

became an orchid.  

 

Yes

to the black, shriveled fruit,

the little pod—

 

to labor without season,

root rot,

hand-pollination,

the slow coaxing

of sweetness.

 

Yes

to what must be tended,

cut, cured,

made to yield.

 

The apple—

one from a hundred—

ripens anyway.

 

Like the boys:

common,

and still good to taste.

 

Yes,

to the resisted lemon—

to lilac that cannot be distilled.

 

Yes

to imitation,

to cheap lingering scent.

 

Rain, grass,

a single rose—

 

and the body,

cultivated—

opens.