March 23, 2016

Asparagus



I blame you, Grandmother, for the asparagus I steam tonight
remembering how you sent me to pluck it
from that slope behind your house that leaned
toward the apple orchard.  They were winsap, I think,

and red delicious, never ripe when we visited. 
Snap asparagus at the root, you said, showing me only once,
or was it twice?  I was so young and didn’t use a basket
but grasped them like a bouquet of blue bells.

You snapped them into small pieces, scrubbed
then boiled the life out of them.  I didn’t know until later
how you ruined the taste with water and salt
and remember the asparagus, still, as perfect.

It is your fault, Grandma, the way I blithely believe
Providence will provide an abundance of asparagus and apples.
That crate you sent each fall kept the doctor’s away.
The applesauce, the apple pies and fritters,

they were all sweet.  And so I forgive your dreadful bible verses
and the singsong hymns you tucked us into bed with,
hoping to correct our ill manners,  and to punish us
for playing in the tractor sheds and in fields near the pickers sheds

where we saw just how desolate life could be.  I forgive you
for telling me not to play with the children I played with anyway.
It is your fault, Grandmother, teaching me to pick
the wild green sprouting amidst the dying grass.  I forgive you

for calling me bad seed, for thinking I caused more trouble
than you could ever pray me out of, even after that summer
I sat stalk-still and you painted so much majestic hope into my still life. 

That summer you swatted at the bees settling on the butter,
decreed Satan created them, not you.  Grandma, it is your fault
I think your God is small.  He sinned when he erased our faces
from your memory.  But Grandma, your scripture is worthless

if I am now just some stranger peeling apples at your sink. 
I never want to quit being your last regret, your shinning disappointment.

Grandmother Dream


(c) 2004 

Because though Grandma is dead, I suppose,

she sits at the kitchen table waiting on me

to braid her hair. Hair too fine to interlace and hold

although twining is inevitable.

My need is to at last embrace what is or could be mine.

Because I am one of five grand daughters as easily

her favorite as any other. Because I am the one

who returned bible verses volleyed over burnt toast and tea.

Because the way of dreams is what is missing is missing,

and what is needed is needed.

Because her ghost fades, I seek permission

from her son who has no authority to grant what I, after all,

may only grant myself.

Because I root through Grandma’s jewelry box for mementos

he calls me a locket toucher and says,

claim her credulous belief in the supernatural; it is what you are meant to do.

One brooch or another, Grandma spooled a spiritual thread

and I live to find my own pull ends and pull starts. 

Destination: Elsewhere

(c) 2008

What I need is for the bus to come on time,
or early, or late, just whatever will best meet
my punctuality, my procrastination, my need
to make a connection, to get somewhere, someplace else,
some destination that today feels right, feels legitimate,
feels like it will stave off insecurities or inconveniences
caused by waiting, by brooding at the god damn bus stop;
which seems to me to be an apt metaphor of my life,
waiting and the desire to move; frustrated
by my wilting agency to buy, to maintain, to insure
my own automobile, my own decisions,
my own job choices or lack of choices,
waiting for situations to improve,
for any action, any thought, any emotion,
that is straightforward, a feasible line
between point A and point B, a near-linear narrative
to help order my desires, waiting
for the magical moment, for the poetic moment,
the tempestuous lover, the good man
who will be good to me. For the ideal driver.

This is the Winter



(2002)

My prayers are fingerlings scratching an impervious surface;
even gods and goddesses curl to sleep beneath winter’s ground.
What winter offers is for only for the empty-handed.
This is my season to give and forgive.

This winter waited like the rare good mother while I scurried
to find my buried shoe and my nerve, lost like a key.
Waited like one true love, jilted, knowing nonetheless I’d be back.
This is the winter I never dreamed of articulating.
It is a meditation in water, an incandescent white so white
it explodes like color.  This is the winter I need to see myself
godless, singular, cold and still very much alive.

Medical Advice, Circa 1945

(2007)
Hesitate when excising a frontal lobe.
The procedure can result in disaster.
Utmost skill and confidence are needed to probe

without culpability, the patient dis-robed.
Practice on uneducated or unemployed.  A degreed Master?
Hesitate.  When excising a frontal lobe

you’re the personality-eugenicist supreme on the globe.
Institutionalize mistakes.  Maintain the aura of a pastor.
Utmost skill and confidence are needed to probe

the hostile brain.  Liken to a mass of microbes.
Remind prospectives that personality cannot be fixed with plaster.
Hesitate when excising.  The frontal lobe

is the seat of unbridled passion.  Like a strobe
oscillating light, meds fix the synapse, but needles alter faster.
Hesitate when excising a frontal lobe.
Utmost skill and confidence are needed to probe.

At the Catskills



(2005?)

We weren’t at the Catskills that summer.
We were never at the Catskills.
“I’m good at those,
like rain under an umbrella.”
I think he said that, off-handed, about his kisses.
He could have been talking about anything.

Some tired melody that didn’t belong
in either of our pasts, droned from the radio.
He flicked a butt out the window.
I picked imaginary gravel from my toes.

“A beautifully considered Epic,
that’s what I want” I said.
The radio had become a despondent buzz.

He shielded his eyes from the sun
slung low as an on-coming branch.
The road ahead glimmered mirages of oil slicks.
Soon enough, we’d turn back.

For Glenda



You work clay the way
I work words; spinning mud
until something holds.

With a patience known
only to mothers, you kick start the peddle,
translating your own strength
into one more near-perfect bowl.

Behind us: lamplight, starlight,
lightning bugs.  they cast shadows
into the interplay of a bowl’s lip,
the fruit in the bowl.
I lift an orange eye-level.
Your bowl and body both,
from loam to life—
composed of brilliance.