January 19, 2012

Crime and Desire

(c) 2010


“All human acts and all human creations constitute a single drama, and in this sense we are all saved or lost together.  Our life is essentially universal.”  Ponty

Dominique Hughes was picked up for shoplifting

by the Bon Marché security guards. 

This yellowed index card says he was nine years old. 

 

Another card— age twelve,

weighing in at a slight 95 pounds

he was caught peeking

into a women’s dressing room. 

 

All of us articulate want as legibly as we can.

 

I find another card—mine.

It shows I’m fourteen.

Accomplice.

That is a lie.

I am tempted to rip it—

to replace accomplice with observer.  

 

After all,

 

when Shelbie snapped the rose-etched, leather bracelet

around her wrist I hissed—put it back.

Only a month earlier

Glenda and I stopped and searched at J.C. Penny’s

for palmed lip gloss and dangly earrings.

I didn’t even have pierced ears.

Those blue beads looked cold as ice cream,

like polished milk.  I was hungry with want,

but a want that yearned to receive more than this take.

Shelbie didn’t put it back.

 

Between tears, her mouth contorting like a hooked trout,

security guards bruised her upper arm.

On command, I lifted my shirt—

drafts in that gray concrete cellar

hardened my nipples into worthless currency.

 

I am momentarily surprised,

whether by oversight, or charity,

the Bon Marche hired me to add

to that collection.

 

Thousands of cards—

each a record of want:

a watch, a pair of shorts slipped

under a skirt. 

 

Dominique, again.

 

At 15—a concealed gun.

 

The card is sparse,

handwritten scrawls fading. 

 

His history—

a series of bad choices

kick-started by f desire.

 

 

Now, twenty years later

the newspaper informs me

Dominique Hughes—

sentenced for murder.

 

Before I can file an imaginary card

in my mind into something manageable,

my new manager waves me over.

 

He shows footage—

American Air-fighters

zeroing in on insurgents. 

I walk away.

 

They deserve it, he says, punching his desk.

 

Yesterday he was telling me

about his annual hunting trip with his nephew.

He can no longer bring himself to shoot elk,

he can only catch and release fish;

that’s how soft he’s become.

 

He said he hopes I won’t think less of him,

 

Some days the want and shame,

are too much for me to take in.

 

We are all connected—

and I can no longer tell

where one desire ends

and another begins.

Yes

(C) 2009


As the last geese head South,
a mob of crows shift through glinting foil and debris.

The last seeds swirl across hard soil.
The water line—high and restless.

And just as the world tips to cold

I find you—

warm.


Like coming home,
though home was never like this.

There is still lavender scent,
faint behind the last mown clippings
rotting underneath reddened maple leaves.

Death and growing, leaving and staying;
this season complete.

I say yes.


Val Mesmo: Go Then

(c) 2011

When I fuck you, it is Mardi Gras in my head—

sweet,

with my mask secure, and you

 

like a slide trombone,

a pandeiro, reco-reco in your hips.

 

I put it down—down

like a samba,

its pulse the beginning

of our everything.

 

With my mask secure—

there it is—

one rabid mask or another,

trepidation hidden

behind yellow feathers.

 

My mouth, which would say

I am about more than this,

is buried in the pillow,

my hair caught in my teeth like reins.

 

Jesus, pinch me again.  

 

Your touch tears through me,

yet it isn’t all that I want. 

 

The sun has gone down—

or is about to rise,

I’ve forgotten where in the world I live. 

Seattle—Brazil?  

 

Quero você, doce amor. 

 

This heat, this funk—

it pervades the room

and you are telling me again

you need to go? 

 

You leave—

my juice slathered on your skin;

a trace of me

under your nails—

evidence--

a crime scene.   

 

What will your wife say?

 

When we fuck

it is Carnival, and in my head

I hide my fears

under feathers,

sequins.

 

Wherever you touch—

gimme, gimme, gimme.

 

I am hungry.

 

Your leaving tears me up—

this is not what I want.

 

I want to be seen with you. 

I want to be seen by you,

unmasked.

 

Your scent on my hands,

the ache where my jeans ride up—

you know where I live.

 

You need to stay.