January 19, 2012

Crime and Desire

(c) 2010


“All human acts and all human creations constitute a single drama, and in this sense we are all saved or lost together.  Our life is essentially universal.”  Ponty

Dominique Hughes was picked up for shoplifting

by the Bon Marché security guards. 

This yellowed index card says he was nine years old. 

 

Another card— age twelve,

weighing in at a slight 95 pounds

he was caught peeking

into a women’s dressing room. 

 

All of us articulate want as legibly as we can.

 

I find another card—mine.

It shows I’m fourteen.

Accomplice.

That is a lie.

I am tempted to rip it—

to replace accomplice with observer.  

 

After all,

 

when Shelbie snapped the rose-etched, leather bracelet

around her wrist I hissed—put it back.

Only a month earlier

Glenda and I stopped and searched at J.C. Penny’s

for palmed lip gloss and dangly earrings.

I didn’t even have pierced ears.

Those blue beads looked cold as ice cream,

like polished milk.  I was hungry with want,

but a want that yearned to receive more than this take.

Shelbie didn’t put it back.

 

Between tears, her mouth contorting like a hooked trout,

security guards bruised her upper arm.

On command, I lifted my shirt—

drafts in that gray concrete cellar

hardened my nipples into worthless currency.

 

I am momentarily surprised,

whether by oversight, or charity,

the Bon Marche hired me to add

to that collection.

 

Thousands of cards—

each a record of want:

a watch, a pair of shorts slipped

under a skirt. 

 

Dominique, again.

 

At 15—a concealed gun.

 

The card is sparse,

handwritten scrawls fading. 

 

His history—

a series of bad choices

kick-started by f desire.

 

 

Now, twenty years later

the newspaper informs me

Dominique Hughes—

sentenced for murder.

 

Before I can file an imaginary card

in my mind into something manageable,

my new manager waves me over.

 

He shows footage—

American Air-fighters

zeroing in on insurgents. 

I walk away.

 

They deserve it, he says, punching his desk.

 

Yesterday he was telling me

about his annual hunting trip with his nephew.

He can no longer bring himself to shoot elk,

he can only catch and release fish;

that’s how soft he’s become.

 

He said he hopes I won’t think less of him,

 

Some days the want and shame,

are too much for me to take in.

 

We are all connected—

and I can no longer tell

where one desire ends

and another begins.

Yes

(C) 2009

As the last geese V South,
a mob of crows shift through glinting foil and debris
as though only the crafty can make this place home.
This season’s final seeds swirl across fist-tight soil.
The water line— high and restless.

And just as the world permanently tips to cold
I find someone warm.

I would say you are like coming home,
but home was never like this.
There is still lavender scent, though harvested,
faint behind the last mown lawn clippings
rotting and covered with reddened maple leaves.

Death and living, leaving and staying;
this season feels complete, whole, as if
all of it mattered. And I am saying Yes.

Val Mesmo: Go Then

(c) 2011

When I fuck you it is a Mardi Gras in my head; sweet,
Sweet with my mask securely on, and you
like a slide trombone, like a pandeiro, a reco-reco in your hips.
I put it down—down like a Samba enreda,
its succulent pulse the beginning of our everything.

With my mask secure—and there it is: one rabid fuck mask or another
trepidation obscured behind yellow feathers, a tenuous chiaroscuro
frescoed on my skin barely covering my tempestuous contextualization
this concreting whatever the hell it is we are up to,
and my mouth which would say I am about more than just fucking
stuffed up against the pillow, my hair caught in my teeth like reins.
Jesus, pinch me again. Your fuck rips me up; yet it isn’t all that I want.

The sun has gone down, or maybe it’s about to rise,
I’ve forgotten where in the world I live. Seattle—Brazil?
Quero Vocé doce amor. This stank funk,
like a newly discovered epidendrum, it pervades the room
and you are telling me again you need to go? You need to go!

You go with my juice slathered on your skin; a taste or two of me
hugs your tongue, my sloughed skin clinging to your nails
like evidence from a crime scene. My god! What will your wife say?

When we fuck it is Carnival and in my head I’ve concealed
my fears under an abundance of feathers and fabric and sequins
and wherever you touch me I squirm; gimme, gimme, gimme.
I am desperate hungry. Your leaving rips me up; this isn’t what I want at all.
I want to be seen with you. I want to be seen by you, unmasked.
This smell of you is on my hands, the throbbing where my jeans ride up;
It’s clear you know where I live. You need to stay.